Factory making Siway SV-602 Epoxy Structural Adhesive A/B to Auckland Importers

Factory making Siway SV-602 Epoxy Structural Adhesive A/B to Auckland Importers
  • Factory making Siway SV-602 Epoxy Structural Adhesive A/B to Auckland ImportersFactory making Siway SV-602 Epoxy Structural Adhesive A/B to Auckland Importers

Short Description:

Description SV-602 is a 2-part structural epoxy adhesive developed for such application as dry fixing cladding. It has strong adhesion to metals, woods, reinforced plastics stone, ceramic and masonry. It is the best choice for bonding parts which must withstand weather, moisture and temperature fluctuations. SV-602 will adhere with minimum surface preparation and has a low coefficient of expansion.   Key Features 1. Room temperature curing Epoxy adhesive 2. Fast cure at room temperature,...


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Description

SV-602 is a 2-part structural epoxy adhesive developed for such application as dry fixing cladding. It has strong adhesion to metals, woods, reinforced plastics stone, ceramic and masonry. It is the best choice for bonding parts which must withstand weather, moisture and temperature fluctuations. SV-602 will adhere with minimum surface preparation and has a low coefficient of expansion.

 

Key Features

1. Room temperature curing Epoxy adhesive

2. Fast cure at room temperature, <40 min for reaching a tack-free status under standard environment (STD: 23℃, 50% humidity)

3. Mix ratio of 1:1 by volume or by weight

4. Good mechanical property

5. Bonds a wide variety of building materials

6. Good waterproofing and chemical resistance

 

Basic Application

1, the external walls of stone material, ceramic and other hang bond;

2, concrete, ceramics, stone, wood and other prefabricated split, bonding and jointing;

3, concrete, stone and so on crack repair;

4, the structure of the localization, anchor, reinforcement and reinforcement.

 

Technical data sheet

The following data is for reference only and is not recommended for the specification

Shear strength Stainless steel-stainless steel/Standard conditions ≥18   JC887-2001
Pressure shear strength Stone-stone/ Standard conditions ≥12
Stone-stone/ The freeze-thaw cycle 50 times ≥10
Stone – stainless steel/ Standard conditions ≥12
Standard conditions:Temperature=23℃,relative humidity=50%,48 hours curing
attribute SV-602-A SV-602-B SV-602(After mixing)
Colour gray white grey
Density(g/cm³) 1.8 1.8 1.8
Viscosity(PaS) 200-400 150-250  
Effective operating time(23℃) N/A N/A 20min
           

 

Certification

JC 887-2001

 

Color

Part A-Grey Paste/Part B-White Paste

 

Package

9kg/9kg per unit and 15kg/15kg per unit

 

Shelf life

12 months

 

Note

If you want the TDS or MSDS or other details, please contact with our sales person.

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  • Part 2 of making puppet heads – this one requires sculpting in clay, making a plaster mould, then casting in silicone rubber. The sculpting and mouldmaking are the same for casting in any flexible material like foam latex or urethane.

    Doing this in front of a time lapse camera is difficult, and I will probably have to cast the head again and do a proper job, but this gives an overview of the process. Like my other tutorials it’s really fast, so you will probably need to watch it more than once, and resort to the pause button to read all the captions. Sorry! But at 5 minutes long it’s taking over 2 hours to upload. But check out my friend Ron’s tutorial on making a mould for a puppet body at his AnimatorIsomer channel if you want the slow detailed approach – 3 parts totalling half an hour just to cover making the mould. Stop Motion Magazine has some good tutorials on puppetmaking too.
    This head is made for use with build-up bodies which I covered in another tutorial – in fact, at the end i put it on the same body I showed being made. (Some viewers of my other tutorials may recognise the thing that appears behind the finished puppet – I wanted a tentacle but I didn’t have one.)

    A full body, all-silicone puppet will take another tutorial, and I’m still getting on top of the challenges with silicone – mostly I’ve used foam latex for casting full puppets. But a head is a good place to start, they are easier!

    Thanks to composer Brian Boyko who made this music – “Dragonfly” – available copyright free at the public domain site FreePD.

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