28 Years Factory SV-888 Weatherproof Silicone Sealant for Ecuador Importers
Description SV-888 silicone weatherproof sealant is one component, neutral cure silicone sealant, designed for glass curtain wall, aluminum curtain wall and building exterior design, has excellent weathering properties, it can form durable and most building materials, waterproof and flexible interface. Key Features 1. 100% silicone 2. Medium modulus (25% movement capability) 3. UV resistance & weatherproof 4. Primerless adhesion to most building materials Basic Application 1.All ...
We thinks what customers think, the urgency of urgency to act in the interests of a customer position of principle, allowing for better quality, lower processing costs, prices are more reasonable, won the new and old customers the support and affirmation for 28 Years Factory SV-888 Weatherproof Silicone Sealant for Ecuador Importers, We are always looking forward to forming successful business relationships with new clients around the world.
SV-888 silicone weatherproof sealant is one component, neutral cure silicone sealant, designed for glass curtain wall, aluminum curtain wall and building exterior design, has excellent weathering properties, it can form durable and most building materials, waterproof and flexible interface.
1. 100% silicone
2. Medium modulus (25% movement capability)
3. UV resistance & weatherproof
4. Primerless adhesion to most building materials
1.All kinds of glass curtain wall weatherproof seal
2.For metal (aluminum) curtain wall, enamel curtain wall weatherproof seal
3.Joint sealing of concrete and metal
4.Roof joint seal
Technical data sheet
|Test standard||Test project||Unit||value|
|GB13477||Flow, sagging or vertical flow||mm||0|
|GB13477||surface drying time（25℃，50%R.H.）||min||20|
|Sealant curing speed and operating time will have different with different temperatures and temperature, high temperature and high humidity can make sealant curing speed faster, rather low temperature and low humidity are slower.21 days after curing——25℃，50%R.H.|
|GB13477||Durometer Hardness||Shore A||28|
|GB13477||The ultimate tensile strength||Mpa||0.65|
GB/T 22083-G-35；ASTM C920
Black, white, grey
300ml in cartridge * 24 per box, 590ml in sausage *20 per box
If you want the TDS or MSDS or other details, please contact with our sales person.
Enjoy This Video?! Check out my Origami Playlist HERE:
In this video, I explain how to make a Paper Balloon, also known as the Water Bomb. All that is required is a piece of printer paper (any size should work). Scissors are optional, but make things a little easier if the paper is not already square.
WATER BOMB – To make this a water bomb: COLOR the OUTSIDE of the water bomb near the bottom (opposite the blowing hole) once you finish with a crayon or other type of wax material. Open up the small hole with a pencil to make it wider. Then, create a slow, fine stream of water at the sink. Try not to get the outside of the balloon wet when filling. Do NOT fill the balloon too much, or it will leak faster. THROW IT at someone … not in the house though… bye.
Let me know what you guys think by commenting and rating! Thanks for watching.
Part 2 of making puppet heads – this one requires sculpting in clay, making a plaster mould, then casting in silicone rubber. The sculpting and mouldmaking are the same for casting in any flexible material like foam latex or urethane.
Doing this in front of a time lapse camera is difficult, and I will probably have to cast the head again and do a proper job, but this gives an overview of the process. Like my other tutorials it’s really fast, so you will probably need to watch it more than once, and resort to the pause button to read all the captions. Sorry! But at 5 minutes long it’s taking over 2 hours to upload. But check out my friend Ron’s tutorial on making a mould for a puppet body at his AnimatorIsomer channel if you want the slow detailed approach – 3 parts totalling half an hour just to cover making the mould. Stop Motion Magazine has some good tutorials on puppetmaking too.
This head is made for use with build-up bodies which I covered in another tutorial – in fact, at the end i put it on the same body I showed being made. (Some viewers of my other tutorials may recognise the thing that appears behind the finished puppet – I wanted a tentacle but I didn’t have one.)
A full body, all-silicone puppet will take another tutorial, and I’m still getting on top of the challenges with silicone – mostly I’ve used foam latex for casting full puppets. But a head is a good place to start, they are easier!
Thanks to composer Brian Boyko who made this music – “Dragonfly” – available copyright free at the public domain site FreePD.